what to do instead of an f chord
What is a macerated chord? Learn how to make diminished chords and use them to spice upwards your chord progressions in this basic music theory guide. Knowing how to utilize macerated chords will open artistic doors and aggrandize your songwriting.
- What is a Macerated Chord?
- How to Brand a Macerated Chord?
- How to Employ Macerated Chords in Your Progressions
- Where to Use Diminished Chords
- Diminished Chord Chart
- Example of Diminished Chord Progressions
- Determination
What is a Diminished Chord?
A diminished chord is a triad built from the root note, small third, and a diminished fifth. It'south a chord with ii minor thirds above the root. Pregnant three semitones divide the third and fifth notes of the chord.
For case, a C major triad has the notes C (the root), Eastward (the 3rd), and G (the fifth). Therefore, a macerated C triad has the notes C, Eb, and Gb.
Diminished chords inject a sense of drama, tension, and suspense into music. They besides have a distinct timbre that sounds night, dissonant, and eerie. Their oddness makes them unique!
Notwithstanding, the flattened 5th makes diminished chords audio unstable and creates a desire for tonal resolution. They get out the listener hanging, which makes the resolve back to consonant chords more impactful. This sense of tension makes them interesting chords to use in your progressions.
How to Make a Diminished Chord?
Diminished chords are easy to build because the note intervals are equally spaced past a third. Meaning each note in a diminished chord is separated by three half steps. Easy right?
There are three types of diminished chords: diminished triads, the macerated seventh, and the half-diminished seventh.
Let'due south await at how to build these three chords using the key of D small equally an example.
one. The Macerated Triad (dim or °)
The diminished triad chord consists of a:
- Root Annotation
- Pocket-size tertiary
- Diminished 5th
A diminished triad is a minor chord with a apartment fifth. The chord symbols are "dim" and "°." For example, Ddim or D°.
To build a diminished triad, first detect the root note of the chord. The root is always the note that's the ground for the chord. For example, the root note for a Ddim chord is D.
Next, count iii semitones to find the third note of the calibration. For case, the third note to a higher place the root in a Ddim chord is F.
Lastly, count iii semitones from the third or six semitones from the root to find the diminished 5th annotation. For example, the fifth note in a Ddim chord is Ab. The consummate Ddim triad chord has the notes D – F – Ab.
2. The Macerated 7th Chord (dim7 or °7)
The diminished seventh is a 4-note chord that consists of a:
- Root Note
- Pocket-size tertiary
- Diminished 5th
- Diminished 7th
The diminished seventh (or fully macerated chord) adds a minor-3rd in a higher place a diminished triad. Meaning the seventh note is three semitones above the flattened fifth.
For example, the seventh note in a Ddim7 chord is Cb. Therefore, the consummate Ddim7 chord has the notes D – F – Ab – Cb.
3. The Half-Diminished Seventh Chord (m7b5 or ø7)
The half-diminished seventh is a 4-note chord consisting of a:
- Root Notation
- Pocket-size 3rd
- Diminished 5th
- Minor 7th
A half-diminished chord adds a major-third above a diminished triad. Meaning the seventh annotation is four semitones above the flattened fifth.
For example, the seventh note in a Dø7 chord is C. The complete Dø7 chord has the notes D – F – Ab – C.
How to Use Diminished Chords in Your Progressions
Diminished chords often function as passing chords in a progression. Passing chords spice up standard progressions and create tension between chords with a stronger relationship to the key.
A passing chord acts equally a transition that sits "in-between" the main chords of a progression. Typically, a passing chord is not in the same key as the song. As a event, it creates a dissonant sound that needs to resolve to a chord harmonically related to the song'southward key.
The well-nigh common passing chord is the diminished 7th. Endeavor adding a macerated chord in the middle section of your chord sequence. Then resolve it to a major or minor chord one half-step higher. This technique adds tension and intrigue to a chord progression while remaining melodic.
For example, endeavour replacing the V chord in a standard chord progression with a Dim7 or m7b5 chord. If you take a common I – V – vi- IV chord progression, the diminished chord will play second.
Yet, diminished chords are non express to replacing the V chord. You can use them anywhere within a chord progression. Merely, because diminished chords sound unstable, they rarely play on the first or last bar. You won't discover a sequence of macerated chords in a progression, either. They typically occur in one case for a beat or two within a chord progression. They're passing chords, so they pass by chop-chop.
Where to Apply Macerated Chords
To figure out where to use a passing diminished chord, detect two chords a whole step autonomously. Next, build a diminished chord on the note between them. Lastly, put the passing chord between the two chords a whole step apart.
For example, allow'due south utilise the progression C – Am – F – Thou. The F major and G major chords are a whole step apart. The note between them is F#. Build a F#dim chord and put it between the F and M major chords. The new progression is C – Am – F – F#dim – 1000.
Diminished Chord Chart
You tin play the diminished chord in all twelve keys. In major scales, a diminished triad occurs only on the seventh scale degree. Whereas in minor scales, a macerated triad occurs on the 2nd scale degree.
Below is a list of all twelve diminished triads for each key:
C dim = C – Eb – Gb
C# dim = C# – Eastward – M
Db dim = Db – E – G
D dim = D – F – Ab
Eb dim = Eb – Gb – A
E dim = Due east – G – Bb
F dim = F – Ab – B
F# dim = F# – A – C
Gb dim = Gb – A – C
G dim = Thousand – Bb – Db
Ab dim = Ab – B – D
A dim = A – C – Eb
Bb dim = Bb – Db – E
B dim = B – D – F
Example of Macerated Chord Progressions
There are several ways to resolve a diminished chord to either a major chord or pocket-sized chord. Leading a song into the vi chord is one common utilize of diminished chords in popular music. The vi chord builds on the 6th scale degree of the fundamental.
The song below uses a diminished triad in a major fundamental post-obit a V – six – 4 – I progression.
"Stay With Me" by Sam Smith
Sam Smith'due south 2014 striking "Stay With Me" uses the Thousand#dim chord in all 3 choruses and the bridge. Here is i of those rare examples where the progression starts on a diminished chord.
Listen to the chord quality of Yard#dim and how it leads into the last chorus repetition. It changes the emotional experience and sets upwardly the final "stay with me" lyric at the end of the chorus. You'll too notice how quickly the chord plays compared to the other chords. Can you hear the subtle differences?
[Chorus]
Won't you stay with me?
Am – F – C
Cause you lot're all I need
Am – F – C
This ain't beloved it'south articulate to run across
Yard – Am – F – C
But darling, stay with me
G#dim – Am – F – C
The bridge follows the same chord progression but with dissimilar lyrics. It sets upwardly the final chorus.
[Bridge]
Oh oh oh ohhh oh ohhh oh ohhh
Am – F – C
Oh oh oh ohhh oh ohhh oh ohhh
Am – F – C
Oh oh oh ohhh oh ohhh oh ohhh
Grand#dim – Am – F – C
Oh oh oh ohhh oh ohhh oh ohhh
G#dim – Am – F – C
Decision
Music theory tools like diminished chords expand the sounds you have available in your chord progressions. Using them in your songwriting volition better your overall audio and make your music more interesting.
Source: https://iconcollective.edu/what-is-a-diminished-chord/
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